Segunda piel (1999)

Diego is a doctor who has fallen in love with a married man with a son. Against the advice of his boss and best friend, he continues his affair with Alberto. The consequences of this affair profoundly alter not only the two men's lives, but also that of Alberto's wife.

"As handsome as Jordi is (who plays Arturo, the husband in this love triangle of a film) it was very difficult to feel any sympathy for him. His arrogance and inconsideration of both his wife and lover too strongly covered the conflicting feelings that must have been raging inside of him and were only really released towards the end of the film. By that time he had died and one couldn't help thinking that that was the best thing that could have happened for the two other lovers involved, releasing them from the lies, messed up emotions and insincere game-playing that Arturo conducted. As an exploration of the self-loathing gay man who cannot feel love for himself or anyone else, then we have a fine film. The story is not new, but we see it from the Spanish director's perspective and all the actors were good. I could feel for both the spurned partners and for the friend of the surgeon who made it evident that she had feelings for him too, despite knowing he was gay. Again, human emotions explored on film as naturally as they exist day to day."

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QUEMAR LAS NAVES / BURN THE BRIDGES (2007)

"The debut feature film from director Francisco Franco who co-wrote the screenplay with Maria Renee Prudencio. Quemar las naves is distributed as Burn the Bridges to English language audiences. It won the Audience Award at the 5th annual Morelia International Film Festival in Mexico and it's cinematographer Erika Licea won at Morelia for Best Cinematography. Lizette Ponce is the film's production designer. Franco and film stars Irene Azuela and Ramon Valdes were on hand at my Palm Springs screening for an audience Q&A. Eugenia (Claudette Maillé) is a former pop singer who is bedridden and dying of cancer. Her 19 year old daughter Helena (Irene Azuela) dreams of traveling the world and learns foreign languages at home and wishes she could be a glamorous pop star like her mother was. Helena cares for her mother with the help their house maid Chaya (Aida Lopez) who also keeps the aging house in working order. Sebastian (Angel Onésimo Nevares) is Helena's teenage brother and Eugenia's son who attends a Catholic high school run by a Monsignor who plays classical music over the loudspeakers thinking it will calm down the boisterous kids. Sebastian's dreams are simple and he merely wants to move to the beach. Helena is smart and pretty but she has no friends, male or female and is totally devoted to her mother's care and is also on the verge of initiating an incestuous relationship with Sebastian. Sebastian however, is falling in love with a boy at school named Jaun (Bernardo Benítez) who is the school roughneck and the son of a single father who owns a little bar. Jaun is the nemesis of the school preppy named Ismael (Ramon Valdes) who comes from such a wealthy home that he has his own chauffeur and bodyguards. Ismael's ping pong obsessed girlfriend Aurora (Jessica Segura) rents a room at Helena and Sebastian's house where Ismael discovers he is also attracted to Sebastian. This film is a drama with some doses of smart comedy sprinkled throughout but it's not a dark comedy. It is a strange story where you are never quite sure where it's going to go and keeps your interest piqued. It's a very good film for a first time feature film director and he gets the best out of a young cast. I would give this an 8.5 out of 10 and recommend it. "

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Adam & Steve (2005)

Raucously funny and sweetly romantic, Adam & Steve is a twisted, tender comedy that would surely make John Waters cackle with glee (L.A. Weekly). In the 1980s, Adam (Craig Chester, Kiss me Guido, Grief, Swoon) and Steve (Malcolm Gets, TVs ... Full DescriptionCaroline in the City) had a horrifically embarrassing one night stand. When they meet again years later, they fail to recognize each other and fall in love as do their wisecracking best friends (Parker Posey, Superman Returns, Best in Show and Chris Kattan, TVs Saturday Night Live). Honest, irreverent and a whole lot of fun, Adam & Steve is all about making love work whatever the odds.

When Adam (Craig Chester, also the film's writer and director) and Steve (Malcolm Gets of TV's CAROLINE IN THE CITY) first meet in the 1980s, Adam is a full-fledged Goth, all eyeliner and morbid posturing, while Steve is a sparkle-covered disco queen. Even so, the two are magnetically drawn to each other, and Steve offers Adam his very first dose of cocaine. Cut to seventeen years later. Adam, now a recovered cocaine addict, finds himself in an emergency room with his beloved pet dog, whom he has accidentally stabbed. As fate (and movie logic) would have it, Steve is the doctor assigned to treat him. Though they don't initially remember one another, the magnetic pull has remained, and the two find themselves building a relationship. Meanwhile, Adam's best friend Rhonda (the always delightful indie queen Parker Posey), dumpy and obese in high school, who has transformed herself into a stylish and thin stand-up comic, begins a relationship with Steve's straight housemate, Michael (former Saturday Night Live regular Chris Kattan). The road to lasting love is, of course, filled with potholes. Misunderstandings, strange relatives, fear, and doubt all crystallize into dramatic plot points, both humorous and serious. One of the most hysterical scenes occurs the first time Steve dines with Adam's family, a group of accident-prone Jews, each of whom is nursing a different injury. All four leads are charming, and choreographed dance sequences delight with their modernization of a classic generic style.

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Between Love & Goodbye (2008)

A modern gay drama about falling in and out of love, and the rocky road in between:
Love makes the world go round. At least that's what Marcel and Kyle believe, until they suddenly discover that love can alternatively flip the world upside-down. When certain elements are set into motion, they tend to stay in motion. If tampered with, they can spin out of control. Marcel and Kyle are in love at first sight, and even though they can't legally marry, they will find a way to make it work. French Marcel marries their lesbian friend Sarah so he can stay in the USA with Kyle. Together they can overcome any obstacle, hurdle any barrier. Together they cannot be stopped. Enter Kyle's sister April, a former prostitute. She needs a place to crash, but for how long? Taking a quick dislike to Marcel, April methodically drips poison into their happiness. But where Marcel sees a conniving woman with a not-so-hidden agenda, Kyle only sees his sister - in need. And how do you choose between family and the love of your life? Why should you have to? Love isn't pure after it's been tainted. Our perfect couple falls headlong into possessiveness, jealousy and rage; trapped in the tangled emotions found in that space between love and goodbye. Just how far will one of them go to put a stop to the madness?

http://hotfile.com/dl/13066473/a97f864/blag-vh-prod.part1.rar.html
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Dead Boyz Don't Scream (2006)

Someone is killing America's top male models.

This was one hot, fun movie. If you had told me someone was going to cross the hottest male models/actors with a campy and SCARY horror flick, I would have had serious doubts. But Dead Boyz delivers, with fast paced action, hot bods and a good tongue in cheek sense of humor. Particularly interesting was Victoria Redstall as the feisty Hollywood power broker who represents the beefcake of the film. Particular kudos to Aaron Mark and Ewan French as the hilarious and very sexy Pudl twins. It's rare that a independent film company exhibits this level of Hollywood production values and still retains a level of artistic integrity. Round this off with a bevy of hot boys and good sense of humor and you have a film guaranteed to terrify, titillate and terrifically entertain.

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David Searching (1997)

The story of a young gay man's search to find himself:
Movie about a young homosexual man's search to find himself by surviving heartbreak and relationship fears. He explores what it means to live for himself and others. His video camera and his roommate and best friend, a heterosexual female. David searches for love, creativity, and meaning with his video camera, though living life is much harder when not hiding behind the lens.

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Rick & Steve: the happiest gay couple in all the world [ SE 1 ]

"Loving life, hating girls, they’re the happiest gay couple in all the world"
Welcome to West Lahunga Beach, the gayest of gay ghettoes, where Rick & Steve, the happiest gay couple in all the world reside along with a few friends; including fag hag Condi Li (who prefers to thinki of herself as an "alternative lifestyle companion"), lesbian couple Ebony and Ivory with their baby Echinacea and porn star Dylan Ram-Brick

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Password: rapidg.net

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Urbania (2000)

Charlie takes an odyssey through grief during a fall weekend in New York City. His encounters are planned and chance: with a homeless man who sleeps by his building, with a friend who's dying, with the couple who lives (and noisily loves) in the flat above him, with a bartender and a one-night-stand he follows home, and with a tattooed stranger whom he seeks out and befriends. Along the way, Charlie inhabits a city full of moments of violence and of stories and legends: a kidney thief, a microwaved poodle, a rat in a hot dog bun, a baby left on a car top, a tourist's toothbrush, needles in public-phone change slots. Charlie lives and tells his own stories. What caused his melancholy?

'Powerful drama is a genuine cathartic experience
"Urbania" is a film that deals with tough issues in a complex way. Directed by first-timer Jon Shear with amazing surehandedness, "Urbania" tells the story of recently-singled Charlie, who has seemingly become disillusioned from society. Shear's script, based on the play "Urban Folk Tales," is a sharp and occasionally hilarious look at a gay man's search for redemption and love. Obsessed with a man he's only seen on the street, Charlie wanders the streets, looking for love, and hoping to rekindle his past relationship. It's a simple story, dealing with some hard issues in a non-linear way.

Dan Futterman is heartbreaking in a very challenging role that requires him to gain our sympathy in spite of his problems. On top of it all, however, is Shear, who handles this material with affection and heart. His direction manages to be moody, atmospheric, suspenseful, and scary, all the while maintaining our sympathy for Charlie. Thankfully, just as the film gets too serious for its own good, Shear throws in numerous asides to urban folk tales and reenacts them. It's very funny, but in the end, it's as cathartic a film as you will see all year. Do yourself a favor and catch this emotionally-haunting film but remember: bring tissues. You'll need 'em. '

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Odete / Two Drifters (2005)

Pedro and Rui kiss after a first-anniversary dinner; Pedro drives home, dying en route in a crash. Another pair of lovers, Odete and Alberto, split over her desire to have a child. Pedro lived in Odete's building. She attends the wake, stealing a ring, a last gift from Rui, from Pedro's finger. She behaves hysterically at the graveside, and later, wearing Pedro's ring, she insists she's carrying Pedro's child. Rui grieves as well, drinking too much and seeing Pedro's apparition. Odete's obsession intrudes on Rui, whose grief makes him vulnerable to her hysteria. Can this end well?

"High-strung obsessions from Portugal:
It's clear that Portuguese gay director João Pedro Rodrigues, whose Two Drifters (Odete, 2005) recently came to this country, is the extreme example of something. Is he making "the artiest queer stroke movie of the year" as Dennis Lim said in The Voice of his first effort? Is he "the most exciting new voice in the world today" or "a major and audacious new talent" as David Fear and Nathan Lee, respectively, have just declared in print? Or are his films "silly and overwrought," "both grueling and dull," "preposterous," "arbitrary," "pointless," "insufferable," "sudsy" – as several other critics have recently written? His new movie is highly allusive, and an admiring article* has listed his many presumable and declared influences, from Hitchcock to Fassbinder. But most of all he's just his own persistent, obsessive self, which is both his strength and his limitation.

"Two Drifters" (using the English word) is what two young gay lovers have had engraved inside twin silver rings they exchange to commemorate a year together. One of them, Pedro (João Carreira) gets in his car, drives off, and is immediately in a fatal smash-up. A strange, tall girl named Odete (Cristina De Oliveira), who slept with the deceased, quickly develops an unhealthy obsession with him, which becomes the chief focus of the movie and which she continually dramatizes by throwing herself on his coffin and screaming and by humping his grave in the rain. She has a job at a supermarket that involves wearing roller skates. While she is acting out, drawing the sympathy of Pedro's mother, getting fired from the job, and developing a hysterical pregnancy, Pedro's lover, Rui (Nuno Gil) is imploding with ill-expressed grief that a Warhol-style steam bath blow job fails to assuage.

The sequences show a strong visual sense. The framing is precise. David Fear feels that Douglas Sirk's "hyperventilating melodramas inform every frame of Rodrigues' irony-soaked opera." If so, the style that results is still even more remote from the period and mood of Sirk than Todd Haynes' overrated, anachronistic Far from Heaven, and if this movie's irony-soaked (and one would hope so), the humor is hard to grasp. Certainly it's rain-soaked too, and steeped alternately in bright sunlight and nighttime shadow. Since Odete, now equipped with an expensive pram, practically moves into Pedro's grave, and Rui is afraid to go there, they don't meet much at first except when Rui drags Odete off of Pedro's coffin at the time of the funeral. She's big and tall, but he's hunky, and so equal to the task. Eventually they do meet again at the grave, and now that Odete has begun to channel Pedro and wear his clothes and haircut, a strange reincarnation takes place. There's another man who's also had sex with Odete but she kicks him out. He seems to be involved for little reason other than one: he has a perfect body, which we get to see every inch of. Rodrigues' concern with the physical comes with an unwillingness to delve into the motivations or personalities or backgrounds of his characters.

Rodrigues is stingy with dialogue. His earlier O Fantasma, an obsessive S&M tale involving an ultra-handsome but mentally unhealthy garbage collector, is almost wordless. Two Drifters relies on the beautiful framing of its images, and on the symbolic use of the sound of rain and wind as well as syrupy songs like Banjo Moon and Moon River and loops of Mancini.

Maybe Sirk and Fassbinder are influences, as reviewers have suggested. But while extreme melodrama and gay concerns may link him with other directors of similar bent, Rodrigues' strength is that he's working on his own. He is true to his own peculiar obsessions and he lets nothing get in the way of following them through. Since he's working nearby, it might be worth considering that he's been affected by Almodóvar. There's something of the Spanish master in Odete's persistence, her willingness to assume a masculine role.

The trouble is that Rodrigues' "elliptical cuts" not only interrupt the "transgressive trance" as Lim said of O Fantasma, but simply slow down the action, here as well. The director isn't good at pacing. The writer who said that when both lovers start getting suicidal you wish they'd hurry up with it was not far wrong. Watching Two Drifters is a claustrophobic experience, a challenging exercise in sitting still. But Fear and Lee aren't completely crazy. This filmmaker is worth following for his sense of craft and tradition and for the rigorous way he cleaves to his own concerns. "

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Different 2004

Different a short movie that will make especially straight people understand what it must feel like to be gay -different - in a world where everything is different!

http://hotfile.com/dl/9400705/4bdc4dd/Different__2004_.avi.html

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Starcrossed

A short movie about forbidden and fatal love between 2 brothers ...


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Glue (2006)

"A teenage summer in a small town in the desert, a dysfunctional family, a rock band, a can full of glue, two boys, one girl, loads of tongue kisses, dry heat, wind in Patagonia, existential angst... A teenage story in the middle of nowhere.

Glue is a movie about Lucas, a fifteen year old boy living in a desert town in Patagonia ( Argentina) and his friends Nacho and Andrea. Lucas' parents' relationship is pretty unstable, but he doesn't want to be confronted with it. So he decides to spend his time hanging out with his friends, just talking about life and experimenting with drugs and sex.

Glue is a beautiful film about coming of age in the windy, desert-like outskirts of Patagonia. This movie is filmed with a very low budget and is very minimalistic, but it nevertheless succeeds to present very beautifully shot images in which we are granted a peek into the life of teenagers growing up. All the major themes are represented: Love, sex, drugs and music. This movie presents a universally identifiable view on teenagers."

DVDRip, avi, 400 MB, 352 X 240, Spanish with soft Eng subs

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Lonesome Bridge (2005)

A gay college student stumbles into trouble when his homophobic flatmate discovers his secret desire for him.

A nice small film that manages to avoid being a stereotypical "gay boy loves straight boy" story, and with a very interesting (and earned) twist at the end. Proof that simple stories with real characters work well, no matter the length.

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